Intrepidas
Does Facebook Hate Musicians?

Facebook has essentially abandoned friend-list management in favor of its “groups” product.  As of now, the “lists” of friends you spent hours creating are meaningless.

Despite its clean, uniform appearance for users, there seems to be a constant tweaking of the way Facebook works - features only some people will ever notice, but that make a great deal of difference to those who use them.

Facebook has recently made two changes to the way “Events” work that make it much more difficult for musicians and others who regularly send invitations to friends or fans.  And I think I understand the self-serving reason they made changes to these features:

  1. The ability to select multiple people within a list
  2. The ability to use your own lists

I regularly find myself either creating and sending invitations on Facebook or inviting people to events others have created.  For a good while, Facebook kept adding features that made the cumbersome process a little easier.

Under the “edit friends” tab under “account,” they created the ability to group friends into different lists. 

Having worked in two highly social careers - in state and national politics and music - my social network is predictably large.  Prior to lists, I had to wade through hundreds of people to find the few I wanted to invite to a particular event.

Once introduced, I created lists such as, “austin music,” “austin politics,” “film industry,” New York,” etc.  I populated those list with people I would want to invite to events in those categories; and they allow 1 person to be on multiple lists.  That was helpful having some friends who have multiple interests or even home-cities.

Prior to this week, if I wanted to send an invite to friends, I would pull up the appropriate list in the “Invite Friends” window off the event page and select everyone on that list that I had already curated.

That is where the first change came about two weeks ago - before then, once in your list you could individually select invitees or select them all at once and de-select individuals if needed.  The ability to select more than one person at a time has been removed.

So, if I have 300 in a particular list, I now have to go through the list and click 300 times. 

The second change is even more frustrating, though.  I spent hours cumulatively on creating lists of my friends.  Now, those lists are not available in the “invite friends” window.  In fact, I can find no utility in those lists anywhere on the site now; they still exist, but there is absolutely nothing you can currently do with them.

Instead of allowing you to use your own lists, they have two ways you can narrow lists of potential invitees.  You can narrow your list to a group of people within a particular city, or you can select a “Facebook Group” to which you belong or have created.  

What it appears Facebook is trying to do is to force anyone who wants to narrow their invitations to particular sets of people to form “Groups” of those people.  That product, though, can be highly annoying with the default setting being that group-members - whether they added themselves or not - receive notification of every comment in the group.  Additionally, it would be presumptuous for a musician to assume a fan wanted to be added to such a public group and potentially damage that artist’s relationship with that fan.

I hope that some of these changes are only temprary.  They seem particulaly odd at a time when Google has come out with a product that - while I have not yet been able to use it - purports to allow exactly what Facebook has just taken away:  The ability to select groups of people all at once.

Help us out, Facebook.

Creating Music in America

Literature, film, music - there is no question that America is a leader in the world of compelling, creative enterprise.  But there are some fundamentally different ways that support for the Arts works in America when compared to other countries.  For many artists in America, the situation is getting to a breaking point; but there is something you can do about it.

For at least the last several decades, the music industry in America has been dominated by corporate and large, independent music labels.  The system worked fine a lot of the time - more for the labels than the artists - but a lot of good music got created.

The large labels have seen a great decline because artists with resources can accomplish for themselves much of what labels used to do.  Very few labels today are making major investments in artists due to this dynamic.  Without the labels discovering and investing in new talent, however, developing artists are left in a tough position; especially in America.

In many other countries, creative endeavor is supported by the people - by the government. 

The last couple years, I have attended a large music conference in Memphis called Folk Alliance International.  I asked a Canadian attendee last year, “Why and how are there so many of you here from Canada?”  Turns out they get government grants to attend such conferences to promote their Canadian-created music.

There is a tremendous program in Austin - funded by the Government of Denmark and capably led by Austinite Troy Campbell - called House of Songs.  Musicians from Denmark come to Austin and write new music with Austin-based songwriters.  The program has had a great deal of success.  From an Austin Business Journal which describes the program:

Although these types of programs are relatively unheard of in the United States, the government of Denmark has launched such artist-in-residency programs in New York, Los Angeles, Spain, Portugal and Greece.

There really is little corresponding support for American musicians.  So without that type of support added to the demise of the labels, what is a musician today to do to fund the creation of a project?

That is where you come in.

The popularily and success of crowd-funding has enabled many artists to maintain creative freedom by accepting various levels of funding from friends, fans, and supporters of the arts while giving those donors a variety of benefits.

There are a variety of sites:  Sellaband, Rockethub, and the one an artist I manage is using, Kickstarter.

In Charlie Faye’s example, she started a Kickstarter campaign to help fund the creation of an album that is the culmination of her highly unusual tour.  She spent one month in each of ten cities in 2010; started a new band in each place, performed live, and recorded new music with them.  It was a monumental effort and saw her performing or recording with members of Calexico, The Eagles, Violent Femmes and many other great musicians.

The way these sites generally work, though, is that if the artist’s target amount of funding is not met, then the artist gets none of the money pledged for the project.

So, I would obviously appreciate your consideration of giving to Charlie’s project, but while you are on the site, check out the dozens of other amazing projects.  If projects like these continue to succeed, there could be a great resurgence in quality arts being created in ways that give the artist and average supporters more control than they have ever before had.

Charlie Faye’s Kickstarter Campaign

 

Charlie Faye’s epic tour, Travels With Charlie, is coming toward its end.  Let’s help Charlie complete the album she has recorded along the way - spending one month in each of ten cities this year.

The credits on this album will be amazing - members of Calexico, The Eagles, Violent Femmes, Navarro, Ian Moore and many other great artists have appeared on the album.

Check out Charlie’s Kickstarter page and throw in a little to help her complete the project!

Delta Airlines automated phone system: “Press 1 for flight arrival and departures.”

Me: “1”

Delta: “Please hold while we transfer you to our flight information system. Additional baggage…

Social Media Baggage Fees

Delta Airlines automated phone system:  ”Press 1 for flight arrival and departures.”

Me:  ”1”

Delta:  ”Please hold while we transfer you to our flight information system.  Additional baggage fees may apply.”

Additional baggage fees may apply?  I mean, I might have some baggage, but I just want to check an arrival time so I can pick up my friend on time.  I really wouldn’t put it past the airlines these days to try to charge us for our emotional baggage; except the good folks over at Southwest Airlines, of course.

Thinking this warning was kind of funny, I tweeted about the robotic exchange.  When Ubertwitter notified me I had an @reply, I assumed it must be a comment from some witty friend.  Nope.

“@DeltaAssist @ If you follow this link you’ll find baggage fee information:http://bit.ly/DL_baggage. ^BH”

Funny thing is, I had just been to their web site to try to check the flight arrival time and kept getting an error message that the system was down.  But thankfully, I can check baggage fees any time.

This whole thing illustrates a bigger issue for the use of social media by businesses and artists.

While there is no single proper way to use social media, there are certainly ways to get it wrong.

One dear, artist friend of mine seems to understand, for instance, that Twitter can be used to connect with fans and acquire new fans, but does not seem to understand that by tweeting one message over and over, every two days and tweeting very little other than that message - that she is actually pushing fans away.

Businesses and artists must understand that while Twitter and Facebook can be tremendous tools, they can also make you look foolish and hinder your efforts to connect with customers, as in Delta’s goofy attempt at social interaction with me.

“Press 1 to follow me on Twitter; I promise not to spam or send you automated messages.”  1.

House concerts rock; plain and simple.

I find that there are a number of my friends whom I can never entice to clubs to hear music, and I understand their perspective. Parking downtown usually…

Wyldwood House Concerts

House concerts rock; plain and simple.

I find that there are a number of my friends whom I can never entice to clubs to hear music, and I understand their perspective.  Parking downtown usually sucks, drinks are often overpriced, the kids certainly aren’t welcome in most venues, and the sound is often too loud if the next table over isn’t.

House concerts, though, solve most of these problems and add several benefits - take your own refreshments, hang out with and get to know the artists in a relaxed setting, appreciate that the artists are getting the money rather than the venue, and take the whole family.

My favorite of the house concerts I have attended is the Wyldwood House Concert series.  A friend took me to one several years ago and I loved it; they’ve only gotten better since.

On 3 acres of land in deep, South Austin, Amy and Andrew Murphy open up their land to some of the greatest music you can hear in this great music city every several weeks during the warmer months.

Get there a little before the show starts to secure your spot on the lawn with your chair or blanket, then explore the property - especially not to miss is the awesome treehouse every adult wishes they had as a kid.  And if it warrants, they usually have a really nice bonfire going.

Charlie Faye happens to be in Austin this weekend on a brief break from her 10-month Travels With Charlie music tour, so she will be opening the show.  There is a suggested donation of $10 (Kids free) - and that goes to the artists.  So bring your friends or family and relax with me Saturday evening for some great music…

 

Jesse Aycock

October 9, 2010

8:00 PM

$10

www.jesseaycock.com

with opener:  Charlie Faye @ 7:30

www.charliefaye.com

English Teeth at 3Degrees mixer…

English Teeth at 3Degrees mixer…

Ben Mallott at Cactus Cafe with Noelle Hampton, Andre Moran and Mark Hallman.

Ben Mallott at Cactus Cafe with Noelle Hampton, Andre Moran and Mark Hallman.

Transitioning from Politics to the Music industry, one of the first things I discovered is that possibly the most difficult job in the industry is that of the Booking Agent. Come to think of…